Charles schwartz dead5/2/2024 Imagine arriving home after a night out with friends to find your wife dead, stabbed 55 times, and a knife sticking out of her neck? Imagine the police so convinced you are guilty they ignore evidence that doesn’t fit their narrative, and you are charged with murder. Thank you to Tantor Audio and NetGalley for this ARC. This audiobook lays it all out for us, how Russ and his defenders were up against a brick wall of legal incompetence, lies, made up "facts", and the evilness of a woman named Pamela Hupp. But this would take years and Pamela wasn't finished with her wicked ways. Thank goodness Russ had good people behind him, working not only to clear Russ's name but also to bring to justice the real murderer of Betsy. With all evidence on the table, Pamela Hupp, a friend of Betsy and the last person to see her alive, should have been a suspect. With a clear alibi, evidence, and witnesses that Russ could NOT have murdered Betsy, he was still charged with her murder. Wrong minded decisions to blame Russ for Betsy's murder kept investigators, and those prosecuting Russ, from considering the chance that anyone else could have murdered Betsy. Every action by and every word from Russ was analyzed and found at fault by investigators who instantly decided Russ had killed his wife. Terminally ill Betsy had always fought depression and had threatened suicide in the past, so Russ, seeing knife wounds on her arms and neck, thought Betsy had committed suicide.įrom the moment Russ made the 911 call to to report his upsetting find, Russ was under scrutiny. December 27, 2011, Russel Faria arrived home to find his wife dead, her body bloody, a knife sticking out of her neck. If this book were a novel, I'd call it preposterous, but sadly, the things that happened in this book happened in real life. Written with Russ Faria’s cooperation, and filled with chilling new revelations and previously undisclosed evidence, this is the story of what can happen when police, prosecutor, judge, and jury all fail in their duty to protect the innocent and let a killer get away with murder.īone Deep by Charles Bosworth Joel Schwartz Still, despite the prosecution’s flimsy case and Hupp’s transparent lies, Russ was convicted-leaving Hupp free to kill again.īone Deep takes readers through the perfect storm of miscalculations and missteps that led to an innocent man’s conviction, and recounts Schwartz’s successful battle to have that conviction overturned. Days before her murder, the terminally ill Betsy replaced her husband with her friend, Pamela Hupp, as her life insurance beneficiary. Schwartz quickly recognized the real killer. In their minds, Russ was guilty, but prominent defense attorney Joel J. No blood was found implicating Russ, and surveillance video, receipts, and friends’ testimony all supported his alibi-yet incredibly, police and the prosecuting attorney ignored the evidence. She’d been stabbed fifty-five times.įirst responders concluded that Betsy had been dead for hours when Russ discovered her. On December 27th, 2011, Russell Faria returned to his Troy, Missouri, home after his weekly game night with friends to an unthinkable, grisly scene: His wife, Betsy, lay dead, a knife still lodged in her neck. Schwartz, the defense attorney who fought for justice on behalf of Russell Faria, and New York Times bestselling author Charles Bosworth Jr. Schwartz?s work has also been honored by the Cooper-Hewitt National Design Museum, the New York Type Director?s Club, and the American Institute of Graphic Arts.The explosive, first-ever insider’s account of the case that’s captivated millions-the murder of Betsy Faria and the wrongful conviction of her husband-told by Joel J. ![]() In 2007, Schwartz was awarded the prestigious Prix Charles Peignot, given every four or five years by the Association Typographique Internationale to a designer under 35 who has made "an outstanding contribution to the field of type design". The two have completed custom typefaces for clients including Esquire, the Empire State Building, The Museum of Modern Art, and Vanity Fair. Schwartz and Barnes began an ongoing collaboration in 2005 with their extensive typeface system for The Guardian newspaper in London, which lead to honors from the Design Museum and D&AD. Schwartz has published fonts with many respected independent foundries including House Industries, Emigre, FontFont, and Font Bureau, and has designed proprietary typefaces for corporations and publications worldwide. ![]()
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